Stagg KALIPRO17MA 17 keys professional kalimba

Stagg KALIPRO17MA 17 keys professional kalimba

Stagg KALIPRO17MA 17 keys professional kalimba 17 notes professional acoustic kalimba.  Rich and warm, playful and enchanting

Material: Mahogany
Tines: Steel
Range: 17 keys in C major diatonic scale (C4-E6)
Front and back sound holes for trembling effect
Ergonomic palm rest for extra comfort
Included: Protection case, tuning hammer, cleaning cloth, key sticker, user manual
Dimensions: 235 x 185 x 80 mm (9.25 x 7.28 x 3.15″)
Weight: 700 g (1.54lb)

Stagg KALI PRO17 MA 17 keys professional kalimba

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The Kalimba Story (Wiki Source) Mbira (pronounced m-BEER-ra , /əmˈbɪərə/) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings.   A modern interpretation of the instrument was commercially produced and exported by ethnomusicologist Hugh Tracey from the 1950s onward, popularising similar instruments outside of Africa. Tracey's design was modeled after the mbira nyunga nyunga and named 'Kalimba' after an ancient predecessor of the mbira family of instruments. Mbira became popularized largely due to the success of Thomas Mapfumo in the 1980s, who included mbira on stage accompanying modern rock instruments such as electric guitar and bass, drum kit, and horns. Mapfumo's arrangements included numerous songs directly drawn from traditional mbira repertoire. Other notable influencers bringing mbira music out of Africa are: Dumisani Maraire, who brought marimba and karimba music to the American Pacific Northwest; Ephat Mujuru, who was one of the pioneer teachers of mbira dzavadzimu in the United States; and the writings and recordings of Zimbabwean musicians made by Paul Berliner. Claire Jones, a student of Dumisani Maraire in the 1970s, has been playing and teaching mbira for more than 40 years. She is also a Festival Coordinator for Zimfest, a Zimbabwean Music Festival held annually in North America that offers many opportunities to learn and listen to mbira.